Posts Tagged ‘ panto ’

A sign of Dick, and Joan

A superbitch famous for wide-shouldered dresses, those are the qualities that made Leo Morgado the idea person to meet Joan Collins. She’s staring the Hippodrome’s panto this year, y’see: As Birmingham waits to see whether or not it will receive the title of being UK City of Culture 2013, we have already received a much more important honour, and that’s having Joan Collins booked to perform pantomime at the Birmingham Hippodrome. Detractors and cynics say that panto is just giving losing contestants in reality TV shows, and once popular light entertainment stars a reason to exist. All I can say to that is, Goldilocks. Pantomime, like all art (and it is art), has its low and high forms. Low form is the excruciatingly embarrassing spectacle of seeing sub-lebrities trying extremely hard to be liked by an indifferent audience. Truly great and engaging pantomime not only brings out the best actors, but also the best out of an audience. Pantomime allows families to leave their homes and spend time together whilst being lavished with colourful productions. It gives theatres the opportunity to fill auditoriums day after day, night after night and create much needed income. It is also a chance...

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“Joan Collins in Panto?! Oh, yes she is…” — Birmingham Hippodrome Blog

Forget Joan… Keith Harris and Orville!

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Review: Sleeping Beauty at the Hippodrome

Review: Sleeping Beauty at the Hippodrome

I love panto, I love its traditions, its history, its very Englishness and its tendency to throw up hairy men in backless dresses and tights. So much that I’ve spend way too much time dragging the medium into the 21st Century on Twitter, but last night I went to see my first actual in-the-flesh with-well-know-people panto for about 20 years. The Hippodrome’s Sleeping Beauty is a thoroughly modern panto too, the 3D (yes really), a character out of adverts (although everyone loves Churchill the dog) and a star that has risen only in the environs of reality TV. That said it still has all the proper ingredients: a dame, the chameleonic (as long as it’s within the tall bloke in dress category) Ceri Dupree, fart jokes, songs that seem to hold up the action, references to nearby towns being uninhabitable, everything you’d expect. I’m no great Joe Pasquale fan, as indeed I wasn’t a big Russ Abbot fan the last time I went to a panto (that too was at the Hip, Aladdin), but it’s odd how some actors or comedians seem only to really be at home in this special brand of theatre. It’s difficult to see how...

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